Wrigley Field Woodblock Print by Steve Connell

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Wrigley Field Woodblock Print by Steve Connell

from 80.00

Says Steve Connell about this piece: I had to create a painting of Wrigley field at night. Everybody is familiar with the front of Wrigley Field and the front of the famous scoreboard, but I've always loved the back of the scoreboard. It's a side a lot of people never see. Plus it's the side of Wrigley that really makes you realize how this famous ballpark is sitting right in the middle of a quaint neighborhood. The El tracks run by the park on this side and give it that quintessential Chicago feel.


Each painting is mounted and varnished onto an 11x14 inch or 18x24 inch stained wood block that can immediately be hung on the wall without the need for framing. I print my paintings with archival inks on a slightly textured water-color paper. They are rated to last 100 years.


Also comes in two print sizes on the Prints page.

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PAINTING THE NIGHT 

There is something about nighttime in the jungle of the urban landscape that reaches into the primitive part of the brain. We interpret the night differently. The ordinary is transformed. Our senses are more acute and we see things not noticed by day. Because of the surrounding darkness, light dances and hits our eyes more intensely. Colors are more saturated. If the street is deserted, you can hear the hum of the neon, the echo on the sidewalks.

 

METHOD

I create these paintings in a primitive way but my medium is as high tech as it gets. I use the most simple brush – my finger; the canvas – an iPad. The act of finger-painting on an iPad is like painting with light itself. There is a satisfying immediacy to the medium. The subjects I choose to paint shine in the night. Some of them are well known, others just attract me like a moth. The streets of Chicago offer an endless source of possibilities.

I have painted with traditional methods for years – oils, acrylics. I started finger-painting digitally first on an iPhone, then an iPad just a few years ago. I adapted quickly and grew to love the medium, especially with this night series.

I start by taking reference photos, then create a sketch based on them, taking artistic liberties as I go. I move and subtract certain things. I build a painting just like I would with traditional media. I pick a color palette, brush styles, opacity levels, but it's all digital and I use my finger as a brush. I can zoom in to do detail work and zoom out to create broad brushstrokes.

Once finished, I move my files to the computer, and from there, I can print the paintings as small or large archival high-quality prints on paper, mounted woodblocks or large canvas giclees.

 

ABOUT STEVE CONNELL 

I live and work in Chicago as a commercial illustrator. I fell in love with Chicago back when I used to visit as a tourist. The architecture and the unique neighborhoods struck an instinctual chord. I have always been drawn to the visual nature of nighttime in large cities...the streets, the alleys, the lights, the corner diners and bars. I admire and am influenced by Edward Hopper's night paintings.

This Chicago Night series just sort of naturally emerged as I started finger painting on my iPad. 

Painting on an iPad is still novel but is ultimately just another tool in the artist's arsenal. Artists have always been adopting new technology, each of which inspires in its own way.